Two studies of a Sheltie, front and rear view, painted in thin oil colour.
After a difficult week or so when everything I touched went wrong, I have decided to go back to painting dogs for a bit! I love these dogs.
My own dog is half sheltie although he doesn't look anything like these two.
To make the painting, I wiped some very thin raw umber and olive green paint over the prepared surface. The surface is an A4 MDF board which I had previously primed with acrylic gesso, stirring a bit of burnt sienna acrylic paint into the gesso first.
This is something I do quite often - it provides a warm, lightly toned surface to paint on and it is a useful start for any subject which has a lot of warm browns or reds in them.
Or greens, come to that because red and green are complementaries so the two together "sing" more vividly than on their own.
The shelties were painted in two passes: a darker under painting - this was to capture the shadows that would subsequently show through the longer, paler fur and then, when this was pretty much dry, I put the lighter fur on top.
At the end of the first stage it looked rubbish. It is important not to dive in with the "correct" colours too soon, I find, or it all mixes up and makes a muddy mess.
I dried stage 1 (ugly duckling stage) by turning the board to the wall. So I don't have to look at it. Less temptation to fiddle.
Speaking of dry, it is tipping with rain here in soggy Devon. A good day for painting, then.